The “Perfectionist” at the Instrument

 

 

The Periodic Wave

 

 

The Dried-Up
Instrumental Sound

The Fixed Tone

The conventional use of musical instruments, and the practice of performance and music reproduction so far, did not even permit such a profound experience to be imagined because, among other reasons, the perfectioned instrumentalists, while investigating, planning and constructing, ran aground in the field of periodic waves.

A periodic wave completely fixates the spectrum of overtones. And because of this complete fixation, along with the over- emphasis on the basic tone, we listeners do not get an impression of the existence of an infinite space-time dimension within the tone.

The conventionally produced instrument sound reminds us of a tree that no longer receives nourishment, and therefore dries up.

 

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Reference work: Peter Huebner – Natural Music Creation – Music Theory
©   A A R   E D I T I O N   I N T E R N A T I O N A L   1982
 

 

Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards
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Highest
Quality Standards
Contents
1st
Quality Standard
DDDDDD
THE PHYSICS OF MUSIC
The Dimension
of the Tone
Mastery over
the Instrument
Freedom of the
Musician
The System of the
Conventional
Presentation
of Sound
Unlimited Potential
for Structuring
the Musical
Sound-Space
The Fixed Tone
Modern Sound Production
The long
Forgotten World of the
Microcosm of Music
Entering the
True World of Music
Musical Sovereignty
in the Inner-Tonal
Planetary Systems
The Inner World
of Power
of the Melody
MAIN LINKS

 

 

M U S I C   T H E O R Y
THE PHYSICS OF MUSIC