The Sound-Space

 

 

Variation of the
Mental Space of
Imagination

 

 

 

The Inner World of the Musical Sound-Space

The Inner Field of Life of the Musical Sound-Space

The Mind of the
Musical Sound-Space


The Secret Soul of the Musical Sound-Space

The Concept of Space in Music

Hardly a word is used with so many meanings on so many different levels as the word “space.” People’s fantasy has given this word manifold meaning from a simple “room” to the universe, and the musical sound-space, too, is just one of the many “spaces” in man’s imagination.

The awareness of space arises from the relative awareness of differences – from duality to diversity, or separateness – the distance between two or more things. On the level of sensory experience the feeling of space requires an affirmation of separateness through sensory perception. In this process a dynamic change of the spatial world must take place in time; indeed, our relative awareness of space actually originates and grows only with a change of the mental space of our imagination.

Under the outer hull of the sound-space the musical parameters move as if in different layers.

The material of the musical sound-space can be compared to our material body, while the motif-space can be compared to our subtle body. The motif-space enlivens the musical sound-space from within, it structures it and holds it together.

In this terms, the sequence may be understood as our mind which, from within, from a state of even greater subtlety, enlivens, structures, and integrates our subtle body, which corresponds to the motif-spaces.

The infinite harmony-space may be compared to that basis of our mind which, from within, from the state of greatest subtlety, enlivens, structures and integrates the mind, which in turn corresponds to the sequence-spaces.

 

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Reference work: Peter Huebner – Natural Music Creation Music Theory
©   A A R   E D I T I O N   I N T E R N A T I O N A L   1982
 

 

Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards
.
Highest
Quality Standards
Contents
3rd
Quality Standard
Nature‘s Laws
of Harmony
in the Microcosm
of Music
Space and Time
in Music
The Concept of Space
in Music
The Two Ways of Experiencing Space
Space-Experience
in the Microcosm
of Music
Space-Time Integration
in Music
Space-Time Fusion through the Integration
of the Musical Spaces
The Integrated Play of
Time and Space
The Potential of the
Musician
The Relationship of Rhythm and Tonality
Field of Cognition –
Enlivened Silence
The Core of Practising
the Art of Music
Conventional and
Modern Mechanisms
of Musical
Performance
The Science
of Music
 
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