The Basis of True
Musical Performance

 


The Great Patrons of the Classical
Musician

The True
Beginning of the
Musical Career

 

The Powerful and the Powerless
Musician

 

 

 


Spectral Monotony

The Integrated Play of Time and Space

The basis of true musical performance is the skilful presentation of the integrated play of these two great powers of nature. Time and space are the foundation, the strong pillars which, curving towards each other like an arch, shelter the listener while letting the music resound between him and themselves.

Space and time, the two invisible, inaudible sovereigns of the realm of tones are the great friends and patrons of the classical musician.

If the musician succeeds in consciously uniting his inner artistic nature with the great sovereigns space and time, he has gained for himself and for the listener infinity in the garment of beauty, and this invaluable gift marks the beginning of his actual career in music.

With the help of the two mighty arms space and time, the powerful musician presents to us the sacrificial bowl of life in the form of musical beauty. This inspires us to sacrifice our limited ideas to the divine spark of inner cognition, and we gain the experience of freedom.

If, however, the uneducated musician, due to his limited consciousness, becomes involved in rhythmic periodicity, he makes time and space his enemies leaving himself and us listeners to the experience of mortality.

If the experience of time seems to appear in conventional music, it is rather our painful experience of time as separated from space, produced by the rhythmical and tonal (spectral monotony, and annoys us listeners in our pursuit of fulfilment: then the piece of music, or rather the piece of noise, drags along like an inert lifeless mass giving us the feeling of mortality, the impression of boundedness, and it sets our mind on chasing the fleeting pleasures of life in the little time that is left to us, trying not to miss anything.

 

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Reference work: Peter Huebner – Natural Music Creation Music Theory
©   A A R   E D I T I O N   I N T E R N A T I O N A L   1982
 

 

 

Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards
.
Highest
Quality Standards
Contents
3rd
Quality Standard
Nature‘s Laws
of Harmony
in the Microcosm
of Music
Space and Time
in Music
The Concept of Space
in Music
The Two Ways of Experiencing Space
Space-Experience
in the Microcosm
of Music
Space-Time Integration
in Music
Space-Time Fusion through the Integration
of the Musical Spaces
The Integrated Play of
Time and Space
The Potential of the
Musician
The Relationship of Rhythm and Tonality
Field of Cognition –
Enlivened Silence
The Core of Practising
the Art of Music
Conventional and
Modern Mechanisms
of Musical
Performance
The Science
of Music
 
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