The Concentrated
Flow of Creativity
in Music

 

 

 

 

 

The Expression
“To Compose”


The Creative
Process from
Within Unity

 

 


Beginning and
End of the
Musical Act

Analysis of the Process of Creating Music

The thinking process may well be compared to the growth of a tree. Because, once the composer perceives a perfect, fundamental musical idea in his mind on the level of the harmony – like the inner structure of a seed – he creates, from the level of this pure, utmost condensed cognition, the living tree of his musical composition, right to its leaves and blossoms, in a lively continuum of thought.

And with great self-discipline he will ensure that the natural, concentrated flow of his creativity is not interrupted; otherwise the composition would immediately disintegrate – just as a tree begins to dry up from the very moment its supply of nourishment is cut off.

The term “to compose” literally means the outer assembling of elements to form an ostensible whole, which indeed contradicts the reality of creativity.

From within the unity of his inner, lively cognition, the true musical artist creates the enlivened diversity of his musical statement.

Looking at it more closely, the complete truth of how music originates within the musical poet appears much more comprehensive than assumed so far, and the melody is not the first element to originate in his mind but indeed the very last.

So far, the end of the inner musical act was thought to be the beginning of creating music.
And to the parts of an unknown whole, which were barely heard in the inner ear, some accepted, compositional structure was “attached,” which then had to simulate the impression of wholeness.

 

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Reference work: Peter Huebner – Natural Music Creation Music Theory
©   A A R   E D I T I O N   I N T E R N A T I O N A L   1982
 

 

Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards
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Highest
Quality Standards
Contents
4th
Quality Standard
Music as a Harmonic
Medical Data Carrier
The Image of
Musical Beauty
The Embodiments
of Harmony
Motivation and
Responsibility
of the Musician
Reversal of the Reality
of Creating Music
Analysis of the
Process of Creating
Music
Music Theory
The Natural Potential
of the True Artist
Synthesis of the
Artistic and Cultural Achievement of Music
 
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