The Musical-
Artistic Objective

 

 

 

 

General Human
Insight of the
Practical Musician

 

The Listener’s
Encounter with
Infinity


The Perfect Music
Listener

The Infinite
Accomplishment in
the Musical Art


The Infinite
Process of Perfect
Musical Integration

 


The Musical Path
of Human
Self-Realization


The Cultural
Achievement
of Music

The Natural Potential of the True Artist

The musical-artistic objective originates from the natural potential of the artist:

So, the practical musician must not only have a deep understanding and make it available to his fellow men, but he must also know very precisely what his neighbour really needs – not what he superficially wants, i.e. he must first know the current state of knowledge and insight of his fellow man.

If his fellow man is not living infinity with his feeling and understanding then the artist must first give him the taste of this reality and inspire him to confidently attain unbounded awareness.

If the listener is already established in infinity, the artist must glorify the diversity of life in unboundedness for him.

In the first case, when the artist is obliged to inspire the listener of limited thinking for unboundedness, the composition must display a continuous flow from the bounded to the unbounded.

In such a composition the motifs will continually unfold into melodies and will be led systematically by the infinite guidance of the melody into unbounded lively silence.

On their path of life, therefore, the melodies will transform into sequences; and the sequences eventually will assume the infinitely manifold form of harmony itself.

Thus, in such a composition, the concrete musical sound-space, as we perceive it with our inner hearing, is continuously refined and transformed step by step into the phenomenon of our human conscience.

Only from here can the composition enliven the world of silence in the music lover; and the listener realizes his own innermost multiplicity, his innermost manifold form: he cognizes the harmony itself.

 

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Reference work: Peter Huebner – Natural Music Creation Music Theory
©   A A R   E D I T I O N   I N T E R N A T I O N A L   1982

 

 

 

Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards
.
Highest
Quality Standards
Contents
4th
Quality Standard
Music as a Harmonic
Medical Data Carrier
The Image of
Musical Beauty
The Embodiments
of Harmony
Motivation and
Responsibility
of the Musician
Reversal of the Reality
of Creating Music
Analysis of the
Process of Creating
Music
Music Theory
The Natural Potential
of the True Artist
Synthesis of the
Artistic and Cultural Achievement of Music
 
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