The famous musicologist and astronomer Johannes Kepler also reaffirmed that the paths of the stars follow the same laws of harmony as the inner sound paths or developments in the microcosm of music. Indeed, Kepler even originally calculated the planetary orbits on the basis of his music theoretical findings.

Applying the Laws of the
Microcosm of Music
to the Course of the Stars

Particularly in today's music, we must learn again to realise the democratic interplay of many rhythms. The natural microcosm of music does not know a rhythmical fixation or dictatorship of a certain nature – as, by the way, neither does the whole of nature.

Not even within an atom there seems to be structurally any kind of rhythmical dominance, but the influences of the individual oscillations seem to be continuously changing.

And if, for instance, every single of our human organs has its very own, but changeable rhythm – of which today's medical science has already recognised hundreds of different, changing basic rhythms – one still cannot talk of the rhythmical dominance of one of our organs compared to an other one, but in fast alternating change, sometimes this one, then the other one has the rhythmical dynamic upperhand.

“‘Natu­ral’ mu­sic is mu­sic cre­ated in­tui­tively ori­ented to­wards na­ture and in ac­cor­dance with the laws of na­ture – mu­sic which origi­nates in the com­poser and ac­cord­ingly in the in­ter­preter in unison with the laws of har­mony and na­ture: com­pletely play­fully and with­out any effort what­so­ever.”

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