The Free Play
of Human Forces
in the Language
of Music

 

The Klassischer
Komponist
as a Guide
to Knowledge


Dance through
the World
of Aspirations

 

 

Traits of the
Human Character
on the Path
to Perfection

Training the Free Formative Will

With the free play of the qualities of the human character in the motif-technique the composer intends to promote the free inner will of the listener to cultivate his character. In the universal language of music the musical creator shows him ways and means to juggle with increasingly higher and more comprehensive, more joyful inner-human values.

Thus, to the composer, the motif is that original musical element through which he takes the listener by the hand – on the level of his feeling and understanding – and carefully guides him step-by-step into worlds of greater human happiness.

When a motif in its derivations, its deviations, its changes – i.e. in varying disguises – interacts with itself in the musical work and appears with many different faces, the musical creator describes the manifold forms in which the human character in its most varied shades dances skilfully and successfully through the world of aspirations, nibbling everywhere without settling down into boundaries.

And always there are guiding and guided motif qualities; and the musical motifs always move within a system of distinct hierarchic relations.

And if, in the course of the musical event, the guide changes, it only shows how certain qualities of the character safely guide others on their way to perfection, through their own domain, through their own familiar world of the fulfilment of desires – just as a man guides a friend safely through his own world, which is familiar to himself but may be full of danger for the other.

 

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Reference work: Peter Huebner – Natural Music Creation Music Theory
©   A A R   E D I T I O N   I N T E R N A T I O N A L   1982
 

 

Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards
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Highest
Quality Standards
Contents
5th
Quality Standard
The Force-Fields
in Music
The Musical Performers
and their Laws
The Motif
The Masculine and
the Feminine
Musical Motif
Training the Free
Formative Will
Motif-Recognition
Motif-Technique
Power and Powerlessness of Musical Interpretation
Scenes from the
Inner World
of Human Evolution
Integration of Levels
of Creativity
The Differentiated Apprehension
of the Power
of the Harmony
The Perfection of the
Formative Forces
in Music
The Melody
The Manifold Shape
of the Melody
The Path of the Human
Character in the
Musical Form
The Sequence
in Music
The Gate of Harmony
to the Outer Music
 
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