Highest Quality Polyphonic (polytonal & polyrhythmical) Performance
• The Force-Fields in Music
• The Musical Performers and Their Laws • The Motif • The Masculine and the Feminine Musical Motif • Training the Free Formative Will • Motif Recognition • Motif-Technique • Power and Powerlessness of Musical Interpretation • Scenes from the Inner World of Human Evolution • Integration of Levels of Creativity • The Differentiated Apprehension of the Power of the Harmony • The Perfection of the Formative Forces in Music • The Melody • The Manifold Shape of the Melody • The Path of the Human Character in the Musical Form • The Sequence in Music • The Gate of Harmony to the Outer Music
• The Musical Performers and Their Laws
• The Motif
• The Masculine and the Feminine Musical Motif
• Training the Free Formative Will
• Motif Recognition
• Motif-Technique
• Power and Powerlessness of Musical Interpretation
• Scenes from the Inner World of Human Evolution
• Integration of Levels of Creativity
• The Differentiated Apprehension of the Power of the Harmony
• The Perfection of the Formative Forces in Music
• The Melody
• The Manifold Shape of the Melody
• The Path of the Human Character in the Musical Form
• The Sequence in Music
• The Gate of Harmony to the Outer Music
Reference work: Peter Huebner – Natural Music Creation – Music Theory © A A R E D I T I O N I N T E R N A T I O N A L 1982
