The Path towards
more Powerful
Formative Forces
in Music

 

 

 

 

True Enlivenment
of the Physical-
Acoustic Space

 

 

The Essential Task
of the Musician

Perfection of the Formative Forces in Music

With his understanding, the listener cognizes the “horizontal” compositional systems of order; with his feeling he grasps the “vertical” musical relations of power.
Therefore, the qualities of feeling and understanding are effective on all levels of music: in the world of the sound-space, in the world of the motif, in the world of the sequence, and in the world of the harmony.

When these two fundamental qualities of the intellect – feeling and understanding – are realized by the musician as efficient and mighty formative forces in music, they finally appear before him in their perfection on the level of harmony.

The musical sound-space, the world of the inner musical imagination, is equally enlivened by the feeling and by the understanding; and the art of the musician lies particularly in radiating this enlivenment, this lively multiplicity, even into the physical-acoustic space and to enliven it so that the listener comprehends life itself as his own threefold food of knowledge:

 

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Reference work: Peter Huebner – Natural Music Creation Music Theory
©   A A R   E D I T I O N   I N T E R N A T I O N A L   1982
Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards
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Highest
Quality Standards
Contents
5th
Quality Standard
The Force-Fields
in Music
The Musical Performers
and their Laws
The Motif
The Masculine and
the Feminine
Musical Motif
Training the Free
Formative Will
Motif-Recognition
Motif-Technique
Power and Powerlessness of Musical Interpretation
Scenes from the
Inner World
of Human Evolution
Integration of Levels
of Creativity
The Differentiated Apprehension
of the Power
of the Harmony
The Perfection of the
Formative Forces
in Music
The Melody
The Manifold Shape
of the Melody
The Path of the Human
Character in the
Musical Form
The Sequence
in Music
The Gate of Harmony
to the Outer Music
 
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THE FORCE–FIELDS IN MUSIC