The System of
Inner Creativity

 

 

Classical Motif-
Technique

 

The Battlefield of
the Innermost
Human-Qualities


The Influence
of Classical Music

 

The Musical
Handling of the
Forces of Life

Motif Technique

The natural and well-designed application of qualities of the human character in the garment of music is called motif-technique. Thereby, inner creativity is the practical mechanism through which the composer projects his inner cognition in the outward direction and transforms it into the audible experience.

When the musical creator is aware of this process in detail, and when he realizes the human faculties as the unity of his inner cognition, his inner experience, and inner hearing, then this art is called “motif-technique” in classical composition.

The range of influence of the motif-technique is the battlefield of the inner-human driving forces: the qualities of the composer, the qualities of the listener, and the qualities of man in general.

The deep influence of classical music is explained by the masterful handling of that field of experience of our innermost, individual existence which constitutes our true life and which reveals itself to the listener in the composition.

Thus, the motif-technique is the meaningful handling – according to its own inherent laws – of our innermost impulses of life, of those elements which are closer to life than the entire outer world of phenomena.

 

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Reference work: Peter Huebner – Natural Music Creation Music Theory
©   A A R   E D I T I O N   I N T E R N A T I O N A L   1982
 

 

Micro Music Laboratories – Quality Standards
Micro Music Laboratories – Quality Standards
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Highest
Quality Standards
Contents
5th
Quality Standard
The Force-Fields
in Music
The Musical Performers
and their Laws
The Motif
The Masculine and
the Feminine
Musical Motif
Training the Free
Formative Will
Motif-Recognition
Motif-Technique
Power and Powerlessness of Musical Interpretation
Scenes from the
Inner World
of Human Evolution
Integration of Levels
of Creativity
The Differentiated Apprehension
of the Power
of the Harmony
The Perfection of the
Formative Forces
in Music
The Melody
The Manifold Shape
of the Melody
The Path of the Human
Character in the
Musical Form
The Sequence
in Music
The Gate of Harmony
to the Outer Music
 
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